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     Replete, 9” diameter, oil on panel, 2015  The starting point for my current work is the collection of used and discarded mass-produced fabric items. In the case of this body of oil paintings and gouache works, I’ve chosen just four items: a polyester shirt, a polyester skirt, a woven skirt, and a tablecloth.     
  
 
  
    
  
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       Artist Statement for  In Time and Repetition         

Replete, 9” diameter, oil on panel, 2015

The starting point for my current work is the collection of used and discarded mass-produced fabric items. In the case of this body of oil paintings and gouache works, I’ve chosen just four items: a polyester shirt, a polyester skirt, a woven skirt, and a tablecloth.

 Artist Statement for In Time and Repetition

 

 

   
  
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    Replete, side view

Replete, side view

 Replete, detail   

Replete, detail

 

 Waist, 15”x16.5”, gouache on paper, 2015

Waist, 15”x16.5”, gouache on paper, 2015

 Waist, detail

Waist, detail

   
  
 
  
    
  
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  Seen Seam, 15”x16.5”, gouache on paper, 2016

Seen Seam, 15”x16.5”, gouache on paper, 2016

  All Day Soft Light, oil on linen, 12.5”x12”, 2014

All Day Soft Light, oil on linen, 12.5”x12”, 2014

   
  
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   All Day Soft Light, side view

All Day Soft Light, side view

 Bright Light, Daylight, oil on linen, 12.5”x12” 2012 

Bright Light, Daylight, oil on linen, 12.5”x12” 2012 

 Bright Light, detail 

Bright Light, detail 

 Intersection, Both Armpits, 16.5”x 19”, gouache on paper, 2014

Intersection, Both Armpits, 16.5”x 19”, gouache on paper, 2014

 Poise, gouache on paper 16.5”x 19”, 2015

Poise, gouache on paper 16.5”x 19”, 2015

 Cleave, gouache on paper, 17” x23”, 2013

Cleave, gouache on paper, 17” x23”, 2013

 Quartered Tablecloth , gouache on paper, 13.5” x 14.25”, 2014

Quartered Tablecloth , gouache on paper, 13.5” x 14.25”, 2014

 Curled and Quartered, oil linen, 19”x18”, 2011

Curled and Quartered, oil linen, 19”x18”, 2011

 Curled Tablecloth, gouache on paper, 13.5” x 14.25”, 2014

Curled Tablecloth, gouache on paper, 13.5” x 14.25”, 2014

 Vantage, oil on mounted linen, 12.5”x12”, 2009

Vantage, oil on mounted linen, 12.5”x12”, 2009

 Vantage, side view

Vantage, side view

 Zig Zag At the Bottom, Gouache on paper, 16”x19”, 2012

Zig Zag At the Bottom, Gouache on paper, 16”x19”, 2012

 Zig Zag (Waist Waste), oil on mounted linen, 12.5”x12”, 2010

Zig Zag (Waist Waste), oil on mounted linen, 12.5”x12”, 2010

 At the Bottom, Gouache on paper, 16”x19”, 2011 

At the Bottom, Gouache on paper, 16”x19”, 2011 

  Artist Statement for In Time and Repetition   The starting point for my current work with fabric is collecting used, mass-produced fabric items, which I arrange on 3-dimensional structures designed specifically for each painting. In the case of this body of oil paintings and gouache works, I’ve chosen just four items: a polyester shirt, a polyester skirt, a woven skirt, and a tablecloth. Then, looking to these “still lifes”, I create carefully considered works in oil and gouache. While doing so, I make numerous intuitive and analytic decisions, the inverse of the process of mechanical reproduction.  To further explore the relationship between time and value, as well as between repetition, mass production, and the singular or unique, I’ve been using one item of clothing as the source material for multiple works.  The use of mass-produced and discarded fabrics integral to this body of work conceptually and practically is infused by an exploration of visual thinking. It is my hope that the unseen labor of thought combined with my labor-intensive process will produce works with a particular materiality. My overall intent is to synthesize concept, process and perception to create work which is balanced between realistic depiction and abstraction, recasting what may otherwise be overlooked as banal into a singular poetic experience.  All Day Soft Light, oil on linen, 12.5”x12”, 2014   

Artist Statement for In Time and Repetition

The starting point for my current work with fabric is collecting used, mass-produced fabric items, which I arrange on 3-dimensional structures designed specifically for each painting. In the case of this body of oil paintings and gouache works, I’ve chosen just four items: a polyester shirt, a polyester skirt, a woven skirt, and a tablecloth. Then, looking to these “still lifes”, I create carefully considered works in oil and gouache. While doing so, I make numerous intuitive and analytic decisions, the inverse of the process of mechanical reproduction.  To further explore the relationship between time and value, as well as between repetition, mass production, and the singular or unique, I’ve been using one item of clothing as the source material for multiple works.

The use of mass-produced and discarded fabrics integral to this body of work conceptually and practically is infused by an exploration of visual thinking. It is my hope that the unseen labor of thought combined with my labor-intensive process will produce works with a particular materiality. My overall intent is to synthesize concept, process and perception to create work which is balanced between realistic depiction and abstraction, recasting what may otherwise be overlooked as banal into a singular poetic experience.

All Day Soft Light, oil on linen, 12.5”x12”, 2014